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Applying for Listed Building Consent
Jonathan Taylor
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Listed
timber-framed buildings in Marlborough, a medieval market town in
Wiltshire. |
The needs of the owner
of an historic building do not always coincide with conservation requirements.
The accommodation may not suit modern standards of living or working,
and alterations required to adapt historic fabric can lead to major conflicts
with the conservation authorities. If an application for listed building
consent or conservation area consent is well managed by representatives
of the applicant and the council, the scheme can be carefully negotiated
through the planning process, finding solutions which suit both the existing
building and the needs of the owner. But, all too often, negotiations
are badly handled by one or both parties; the process gets bogged down
in intransigence, and opportunities are missed. Success depends on good
communication and a willingness to understand the needs of the other party.
A very small proportion
of historic buildings are so unique that they have to be preserved as
they stand, unaltered. However, for the vast majority of historic buildings,
whether listed or in a conservation area, there is scope for justifiable
alterations to varying degrees, from the skilful adaptation of existing
components to the wholesale replacement of recent additions and inappropriate
alterations.
THE
CRITERIA AFFECTING ALTERATIONS
Viability
Where
a building is not viable in its current use, the conservation authorities
not only accept the need to find a new use, they may actively seek it,
particularly if conversion is seen as the only alternative to the deterioration,
decay and, ultimately, the loss of the building. Alterations to suit the
new use are often inevitable. Warehouse conversions for residential use,
for example, are now common and some of them are quite spectacular, combining
modern style with historic material and interesting spaces. Yet, almost
inevitably, such conversions entail a degree of alteration both to the
historic fabric and their character that would not be acceptable in a
building that was viable in its current use, or if an alternative use
could be found that was viable and less harmful.
However,
viability issues are not always black and white, and in some cases it
can be difficult for the planning and conservation officers of the local
authority assessing a scheme to distinguish between those alterations
which are essential to the viability of a building, and those that are
simply making a scheme more profitable. Where the cost of sympathetic
repairs exceed the value of the building, there may be a variety of less
suitable alternatives for making the scheme viable, such as increasing
its accommodation, or rebuilding part of the structure. Planning officers
and the developers need to work together to find the best solution, but
all too often an attitude of distrust develops, where the developer feels
that the planners' aims are unrealistic, and the planning officers feel
that the developer is only concerned by his or her profit margin. Good
communication and openness are essential on both sides from the start
if an impasse is to be avoided.
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| Listed
timber-framed buildings in Shrewsbury. Inappropriate alterations such
as poor shopfronts and signs erode the character of historic buildings
in conservation areas. |
Historic
and architectural importance
The
Buildings are listed for their 'special architectural or historic interest'.
The greater the degree of importance, the lesser the likelihood of any
alterations being acceptable, and the grade at which a building is listed
is a 'material consideration for the exercise of listed building control'
(PPG15). But conversely, some elements of the building may be considered
to be of lesser historic importance, depending on the nature of its history
and may be more suitable for alteration, and the removal of later alterations
which conflict with the character of the historic building can provide
opportunities for development.
Often
a building is the product of more than one period, and alterations made
at one time are often described as being part of the history of the building.
This may, for example, justify the retention of a fine Victorian ceiling
which is hiding the original Georgian ceiling, although it is unlikely
to be used to justify the retention of a 1960s suspended ceiling, even
though it is just as incongruous historically. Historic importance, it
would seem, is in the eye of the beholder.
When
making any repair or alteration, the historic importance of every component
needs to be considered, from the overall design of the building and its
setting, down to the smallest unit. Details such as the marks on a stone
or on a rough-hewn piece of timber which show how it was made, and imperfections
such as patina, worn surfaces and the slightly distorted image presented
by old glass, represent the visible evidence of age and historic interest,
without which the historic components of a building may look modern or
faked.
Viability
Where
the integrity of the structure is under threat, alterations are often
required to sort out defects. Alterations are generally assessed by the
following criteria:
Minimum
intervention Are the works really necessary? Can the repair be achieved in a manner
which will affect less of the original and historic fabric? Will the work
cause further problems in the future which are liable to require further
intervention?
Reversibility Can any new material
or repairs be removed in the future, and the fabric returned to its present
state, should the new work have failed or another solution is required?
Sympathetic
repairs to restore structural integrity are unlikely to be controversial,
provided that they really are necessary and the work accords with these
principles as closely as possible. However, repairs are often carried
out unnecessarily, often where deterioration has occurred in the past
but has ceased to be a problem. Walls distorted by settlement, for example,
may seem alarming, but often the structure is quite stable, and even some
ongoing movement may be acceptable in certain circumstances. Likewise,
symptoms of timber decay may well indicate a problem which is now inactive.
In such cases, unnecessary work can be avoided simply by employing professional
consultants (architects, surveyors, structural engineers or heritage consultants)
who specialise in this field. Most professional consultants have not had
the training required to work in this field and have limited experience
of the problems which can arise.
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| ThListed
warehouses and industrial buildings in the regenerated Castlefield
area of Manchester after decades of dereliction. |
Design
quality
Usually the quality of the proposal is one of several contributory factors
which justifies the approval of an application for listed building consent,
and only in very exceptional cases is the quality of a new design alone
considered to be sufficiently superior to that of the original listed
building or component of a listed building to justify its alteration or
replacement. More usually it is the lack of quality which justifies a
refusal.
There
is a tendency to design all new work to match the existing, and often
this is the best solution if the character of the original architecture
is to be retained. However, this does not mean creating a fake. Government
guidance given in PPG15 states that, in general, the wholesale reinstatement
of missing components should be avoided, except where 'a building has
largely retained the integrity of its design'. In these cases 'the reinstatement
of lost or destroyed elements of that design could be considered', but
it advises against 'the speculative restoration of missing components'.
In
some cases the alterations required will have a considerable impact on
the character of the building however they are designed. A low key approach
will help to retain the emphasis on the original architecture, but often
the combination of crisp, modern design and historic original components
creates the most interesting scheme, and may actually be preferred by
the planning officers. However, the success of a creative approach depends
on the skill of the designer, and if the planning system appears to favour
traditional, low key solutions, it is because not all designers have the
creativity required to carry off a more imaginative solution. It is also
much easier for the planning officers to help achieve a quiet, sympathetic
solution than a dynamically creative one.
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| Yew
trees in Tisbury Churchyard, which were deliberately and illegally
poisoned, no doubt because they restricted the view from the new flats
behind. Any tree over three inches in diameter within a conservation
area is protected by law. |
Accessibility
Access
for the disabled has become a political priority. Where listed buildings
are open to the public for access to 'goods, facilities and services',
the introduction of physical adjustments will be necessary under the Disability
Discrimination Act wherever the improvements can be achieved without conflicting
with the character of the listed building. In practice, local authorities,
English Heritage, Historic Scotland and Cadw will often accept access
improvements even where there is some conflict, if the need justifies
it.
Planning
negotiation
Discussions
with the planning officers are best commenced before an application is
made. However, in a period of great activity in the building sector, pre-application
meetings are often only possible for the very largest schemes and the
most important buildings. So it is important to consider the policies
of the council carefully in advance, and to carry out as much research
as possible into the type of scheme which is likely to be accepted. Nevertheless,
the requirements of the council may not become clear until after the application
has been made and a conservation officer has had a chance to visit the
building. Few listed building consent applications go through without
some modification, so the first meeting with the planners is vitally important.
It should establish the historic and architectural importance of the building,
the aims of the project, the need for any alterations and repairs, and
how they will be achieved. Be prepared to back up any controversial issues
with surveys and, where viability issues are concerned, costings. Above
all, bear in mind the need for transparency and trust.
PROTECTION -
a brief glossary |
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| ARTICLE IV DIRECTION A directive
issued by a local authority which, in effect, requires planning applications
to be made for certain types of alterations to houses in conservation
areas, such as the alteration or removal of doors and windows, which
are usually covered by 'permitted development rights'. These rights
are enjoyed by 'single family dwellings' - that is to say, houses
which are lived in by one family only, not subdivided to form flats. |
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| BUILDING CONSERVATION Any action
designed to ensure the continued use or survival of a building, its
fabric or its setting. In this context, conservation is generally
taken to include both repairs and preservation work, and so
may include alterations and other intervention where necessary (such
as the replacement of damaged original material with new material
to prevent further deterioration). However, the term excludes restoration work except where the primary aim of restoration is the survival or
continued use of the building or artefact, and where the restoration
is qualified, not conjectural. |
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| Cadw: WELSH HISTORIC MONUMENTS An Executive Agency of the Welsh Assembly, Cadw's aims, as set out
in its framework document, are: to ensure the preservation and conservation
of the built heritage in Wales for the benefit of present and future
generations; to maintain and present to the public for their appreciation,
education and enjoyment, the monuments in the care of the National
Assembly and to earn income to offset the costs of these activities. |
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| CONSERVATION AREA An area designated
by the local planning authority within which all buildings are protected
from unauthorised demolition and all trees over three inches in diameter
are protected from felling. Other alterations to building within a
conservation area may also be controlled under an Article IV direction. There are approximately 10,000 conservation areas in the
UK. |
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| CONSERVATION AREA CONSENT The
consent required for the demolition of a building in a conservation
area. Applications for conservation area consent are made to the local
authority through the planning department. |
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| ENGLISH HERITAGE England's equivalent
of Cadw and Historic Scotland, English Heritage is the lead body responsible
for the historic environment in England. The body provides grants,
technical advice and guidance, and it is responsible for over 400
historic properties, all open to the public. English Heritage has
a statutory role in determining applications affecting the demolition
of buildings which are listed or in conservation areas, and the alteration
of nationally important listed buildings. |
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| HISTORIC SCOTLAND The government
body which is responsible for the conservation ofthe built heritage
in Scotland, Historic Scotland advises on wide ranging historic building
matters and has a statutory role in determining applications affecting
the demolition of buildings which are listed or in conservation areas,
and the alteration ofcategory A and B listed buildings. Historic Scotland
also offers several grant schemes and is responsible for the management
and presentation of historic properties in the nation's care |
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LISTED BUILDING A building which
is included on the list of buildings of 'special architectural and
historic interest' and protected by statute.
Under the Planning (Listed Buildings and Conservation Areas) Act 1990
and the Planning (Listed Buildings and Conservation Areas) (Scotland)
Act 1997 it is a criminal offence to make any alterations which affect
the character of a listed building without listed building consent.
The list includes approximately 440,000 entries, but, as some list
entries include several buildings at the same address, the total number
of listed buildings is larger - perhaps 600,000 - amounting to almost
two per cent of our total housing stock. The listings are graded according
to the architectural or historic importance of each building, Grade
1 being the most important in England and Wales and category A in
Scotland. The grade or category generally reflects the age and rarity
of the building, but many other factors are also taken into account,
such as technological innovation, townscape value or connection with
a particular historical event. |
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| LISTED BUILDING CONSENT The
permission required for the alteration of a listed building. Applications
for listed building consent are made to the local authority through
the planning department. |
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| PPG15 Planning Policy Guidance
Note I5: Planning and the Historic Environment gives guidance
on Government policy in England. Equivalent documents for Wales are
the Welsh Office Circulars 61/96 and 1/98 and for Scotland it is the Memorandum of Guidance on Listed Buildings and Conservation Areas.
These documents assist local planning authorities in their decision-making
and are used to interpret planning law. |
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| PRESERVATION Any act designed
to ensure the survival of an object or resource without alteration.
The term is not always synonymous with the term conservation,
which also encompasses more proactive intervention, including alteration,
where necessary to prevent destruction, deterioration and decay. |
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| RESTORATION The act
of altering the form or condition of an object (such as a building
or artefact) to resemble its form or condition at a particular point
in its history. Its aim is therefore different from conservation,
although some building conservation work may include an element
of restoration. |
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© Cathedral Communications Limited 2005 |