Site Protection
Jonathan Taylor
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The east range of Apethorpe Hall, Northamptonshire, protected from the weather by a scaffold roof during English
Heritage’s comprehensive programme of conservation (Photo © English Heritage) |
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Historic buildings are often at their
most vulnerable during programmes of
conservation and repair work. Vacating
the place for the duration of the project
exposes it to an increased risk of burglary,
arson and vandalism. Building operations
expose the fabric to accidental damage, and
there is always the risk that even the best specified
work affects the fabric in a manner
that causes damage in the long term, if not
immediately. The success of all building works
depends on careful analysis of the issues
and risks, meticulous project planning, and
a continual process of monitoring. This is
particularly important where historic fabric is
concerned.
From the outset, responsibility for
co-ordination of risk management must be
clearly established and communicated. Every
person involved on the site will have some
responsibility for creating and managing risk,
from the consultant responsible for drawing
up the proposals, to each individual contractor
or craftsman responsible for implementing
work on site. They include, for example, the
scaffolder carrying a heavy scaffolding pole,
the stonemason wielding a lump hammer, and
even the delivery lorry dumping a tonne of
aggregate on the ground. It is therefore crucial
to establish a chain of responsibility to control
all the activities on site, and to appoint one
person to co-ordinate responsibilities. To add
to the complexity, the chain of responsibility
may change as the project proceeds and
different people become involved.
INVESTIGATION AND ASSESSMENT
How the initial investigation of the existing
fabric is approached will depend on the nature
of the project. A building in an advanced
state of decay will require a more cautious
approach than one that is habitable, since the
investigation itself will entail obvious risks to
the structure and to personal safety. However,
the same principles apply. In addition to a
general survey to record the structure as
it stands, a more detailed examination of
some parts of the fabric will be essential. In
particular these will include areas where it is
suspected that there may be defects requiring
remedial treatment, and wherever proposed
alterations are likely to affect historic fabric.
Vulnerable fabric needs to be identified,
both to establish the scope of the project, and
to determine how the work can be carried
out without endangering personal safety, and
with minimum risk to the fabric itself. Some
defects may be obvious, but others will have
to be investigated by opening up, or through
the use of non-destructive investigation
techniques. These might, for example, include
thermography to establish moisture paths and
structural continuity, impulse radar to locate
metal cramps, and core-drilling timbers using
a micro-drill to determine the extent of timber
decay.
Several visits may be required by different
specialists where the issues are complex,
backed up by researching archival sources.
Even then, a full picture of the way the fabric is
performing may not emerge until much later,
when remedial treatment commences.
Data gathered at this stage concerning
the structural integrity of the building,
the condition of its fabric, its layout and its
significance architecturally and historically,
feeds into the design process and, ultimately,
the programming of work and the
management of the site.
INSURANCE
Once the project has been designed and
the necessary consents granted, the scope
of the work will be clear. Under standard
UK contracts, responsibility for ensuring
that the appropriate insurance is in place for the works to proceed lies not with the
contractor carrying out the work (although
the contractor’s insurance will provide much
of the cover required) but with the owner. It
is therefore essential that the owner contacts
the policy provider in advance with details
of the work. Risks include direct and indirect
damage to the property during the work,
vacancy, and the value of plant and materials
stored on site. The value of the
property itself may rise during the work and
on its completion, and where a claim is made
on a property that is undervalued, it can be
an unpleasant surprise to discover that the
insurance company reduces the amount paid
in proportion to the amount by which the property is
undervalued.
PLANNING THE PROJECT
Some work on planning the project may
be carried out at the design stage, but
developing a detailed plan for implementing
the proposals on site requires the
involvement of the whole team responsible,
including the contract manager and all the
specialist contractors and consultants.
FIRE
The greatest risk is arguably fire, since the
consequences can be so far-reaching. Obvious
causes include processes that use a naked
flame, such as a blow lamp for soldering pipes,
and appliances that produce sparks, such as
an angle-grinder. In addition, many processes
also involve highly flammable materials,
including the volatile organic solvents used
in adhesives, paints, and damp and timber
decay applications. Ignition can be caused by
just one spark. Flammable materials are often
introduced in the course of construction and
repairs such as tarpaulins and other sheet
material. Parts of the building fabric may also
be highly flammable, such as dry straw on the
underside of a thatched roof.
Where a process creates a high risk
of fire and is considered unavoidable, it is
important to ensure that there is an adequate
policy in place to mitigate the risk. This
would usually include having an assistant at hand with a portable fire extinguisher, heat
shielding to ensure that any elements of
flammable material that cannot be removed
are protected from the flame or sparks, and
battery-operated smoke detectors. Depending
on where the work takes place, it may be
necessary to limit the use of the flame to
certain conditions, such as ensuring that
blow torches are not used when it is windy,
nor within one hour of the site closing at
the end of the day. A check should also be
made on the area by a responsible person an
hour after the work has finished to ensure
there are no smouldering elements.
To avoid the build up of fumes where
volatile solvents are used, it is most important
to ensure that there is adequate ventilation.
All possible sources of a spark should be
considered, and any electrical appliances
removed or isolated.
Smoking must be confined to specific
areas as a condition of every contractor’s
and sub-contractor’s contract, and the policy
strictly enforced.
BURGLARY, THEFT AND ARSON
The protection of a building left unoccupied is
another priority. Consider each line of defence
in turn. Where a building is set back from its
perimeter, consider the perimeter boundary
and what it is practical to exclude at this point.
At the very least, aim to ensure that it is not
possible to drive a vehicle up to the building
when it is unoccupied.
The second line of defence may be the
envelope of the building itself, but this will
not deter villains from stripping the lead from
the roofs, so a temporary perimeter fence
may help here. Windows, doors and other
openings should be secured, if necessary by
boarding fixed from inside, ensuring that the
manner of fixing does not itself damage the
building if it is forced. Remove ladders to a
secure place, along with all tools, and make
access to any scaffold as difficult as possible.
Finally, consider individual objects
of value. Fireplaces for example are easily
stripped out, so these and other similarly
portable items should be security marked
with a property ID system (SmartWater or
SelectaDNA for example), and boarded up to
hide them from view. Details of the property
identification system should be displayed
at the perimeter to deter would-be villains,
together with emergency contact numbers.
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| At Manchester’s Victoria Baths the recent programme of restoration and repair required extensive protection for much of its magnificent tiled decoration. (Above left) U-profile foam
protectors were fitted around the faience handrail and clipped in place with cable ties, and (above right) the walls were protected with sheets of Ockwells’ TwinShield, a
twin-wall polypropylene board. These were fixed in place through holes in the boards using a low-tack adhesive tape. (Photos: Nigel Massey, Ockwells Limited) |
ACCESS ROUTES
Access for equipment, materials and people
needs to be carefully considered, from the
perimeter of the site to the point of work.
When the materials and equipment
come onto the site, where are they to be
stored, and in what quantities? What effect
will this storage have on the site itself? How
effectively are they contained? Chemicals
may be hazardous to people as well as to
the fabric itself, and some materials and
equipment may present hazards to other
materials being stored. Safe storage may
require different parts of a site to be set
aside for different types of material and
equipment. Weight is another factor to be
considered at this stage, as the dead weight
itself may cause damage to underlying
material, such as paths, vaults or simply the
vegetation. Grass which has been covered
over for more than a few weeks will die.
Site storage must also take into account
the need to access materials and move them.
And the act of moving them also poses
further problems for historic fabric. Access
routes should be chosen to avoid proximity to
vulnerable fabric, but this is rarely possible in historic buildings. Mitigation measures
in fine interiors usually involve the use of
foam padding and sheets of plywood or
plastic padding for the protection of floors,
staircases and balustrades. These must be
carefully cut to fit, and fixed together to
minimise the risk of them becoming trip
hazards. Sheets are usually taped together
at joints, and the principal traffic areas
need to be checked regularly to ensure
that they remain sound and have not
moved. Vulnerable corners and projections
may also need to be protected with foam
rubber or expanding foam separated from
the material by a sheet of polythene.
The weight of objects being carried
also needs to be taken into consideration,
particularly where large sections of stone
have to be moved from one part of the site
to another, and then fitted into an obscure
place away from the main trafficked area.
With the advice of a structural engineer it
may be possible to spread the load over a wide
area of the structure, but where the strength
of historic structures is unknown, the only
solution may be to use cranes, derricks or
mobile access platforms, or to devise scaffold-based
solutions.
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A gargoyle at Grey Towers, Nunthorpe, well wrapped in U-profile foam protectors and TwinShield to protect it from
traffic along the scaffold (Photo: Nigel Massey, Ockwells Limited) |
Scaffolding also creates risks for the
structure. In some cases the scaffold may be
braced by structural elements of the building,
but in other cases the reverse applies, and a
free-standing scaffold will be used to support
the structural elements, as well as providing
access to the fabric concerned.
Scaffolds need to be designed and
installed with sensitivity to historic fabric,
and in all but the most simple cases will
require the involvement of a structural
engineer who is experienced in dealing with
historic buildings. Usually the scaffold will
be supported by the ground but tied to the
building for lateral restraint, and sheeted to
protect workers from the elements. These
structures can impose extraordinary loads
on historic fabric when the wind blows,
particularly if they are also roofed. Historic
fabric may not be able to support these
loads, unless they are distributed widely.
Lateral restraint often involves inserting
ties through window openings to form a
clamp with the exterior wall. Sash windows
can be opened and partially boarded for
this. If panes of glass have to be removed,
these must be checked by a specialist
consultant to determine that only modern
panes are removed. The alternative may be
to create a fixing directly to the masonry,
but only if and where the masonry can
provide adequate lateral restraint.
All scaffold pole ends facing the
building should have plastic end caps to
protect the face of the building, and careful
consideration must also be given to the
footings, particularly where basements
project beyond the face of the building.
INCIDENTAL DAMAGE DURING REPAIR OR CONSERVATION WORK
All interventions entail some risk. Sometimes
the damage caused is a necessary and
inevitable consequence of the operation. For
example, in the process of removing a rusting
metal cramp which is buried inside a wall,
some incidental damage may be unavoidable.
On the other hand, excessive stone-cleaning
causes damage which is predictable and
unnecessary. The key here is to identify the
risks and reduce the likelihood of occurrence,
and its severity. Consider the process and the
tools, and the skills required, then consider
how these will effect both the object concerned
and the related areas of fabric, now and in the
future. Do related areas need to be protected
– or even consolidated – in order to allow the
work to proceed? Will test panels help? Is the
craftsperson carrying out the work the right
person for that particular task?
WATER DAMAGE
Fire is perhaps the most obvious, headline-grabbing
catastrophe that can befall any
historic building, but water is insidious
and equally destructive in the long term. If
masonry becomes saturated, consequences
include later outbreaks of timber decay, frost
damage and salt crystallisation damage. As
well as rain, sources include water introduced
during pointing, masonry cleaning and other
conservation processes, and the cumulative
effect of different sources should be borne
in mind. The envelope of the building
must be maintained if the scaffold is not
to incorporate a roof, and wall heads and
openings must be protected from driving
rain. Gutters and downpipes removed during
the course of work to the roof or the walls
should be reconnected immediately, or a
temporary drainage system introduced. In
some situations run-off from a tarpaulin can
be just as destructive as an internal leak.
LOOKING FORWARDS
As well as considering the consequences
of the processes of conservation
and materials used when the work
is carried out, it is also necessary to
project the consequences forwards.
What is the life expectancy of the
work carried out? And what will be the
consequences of regular repetition? Repeating
the process of repair every five years will
bring to bear all the risks entailed by the
process the first time round, including access
issues. In some cases it may be necessary to
balance the benefits of a process (authenticity
or reversibility for example) in the short to
medium term, against the long term effects
of regular repetition of the process. It may
also be necessary to design the process in the
first instance so that the next time it can be
completed with less severe consequences and
risks to historic fabric. This might involve clear
written guidance, so that the next time the
operation is carried out, only fabric disturbed
in the first operation is disturbed again.
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Thorough and concise recording at each
stage of the operation is important, including
making clear what was done in the past, and
which elements are new. If problems with
work arise, the records will also help the next
conservation team to work out what went
wrong, and learn from past mistakes.
To conclude, project planning must
take into account a huge range of variables
as illustrated by the above graphic.
Good co-ordination will help to manage
risks, but success ultimately depends
on the involvement of everyone on site
in the management of risk. Everyone
involved must consider the consequence
of their actions. A conservation site is
not a place for unskilled labour.
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The Building Conservation Directory, 2009
Author
JONATHAN TAYLOR is the editor of The Building Conservation Directory and a co-founder of Cathedral Communications Limited. He studied architectural conservation at Heriot-Watt University, Edinburgh and has a background in architectural design, conservation and urban regeneration.
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