It is astonishing how few of the building contractors who work with historic buildings have the expertise required to work with lime mortars. The contractors and specialist craftsmen included on this website represent only a fraction of the industry, and most building contractors employed to work on old and historic buildings are unqualified to work in conservation. Despite the growing number of excellent information resources, coverage of the subject on radio and TV, tireless promotion by bodies such as SPAB, and the availability of excellent training, few contractors are even aware of the potential damage caused to traditionally-built structures by Portland cement-rich mortars and modern working practices. The problem with modern Portland cement mortars is that they are much less flexible and porous than traditional lime-based mortars. A modern masonry wall is therefore relatively rigid and where large areas of brick or stone are required, special expansion joints have to be incorporated to allow for thermal expansion. A traditional masonry wall is more flexible, the movement being absorbed by the mortar itself, and there is no need for special expansion joints. Problems often occur where an old wall requires repointing. This is necessary where the exposed mortar has been eroded by the weather or where its cohesion has been lost and it is crumbling. It involves raking or hacking out areas of failed mortar to a certain depth and refilling with fresh mortar. If a non-specialist contractor is employed, the wall will almost invariably be repointed using a hard mortar of sand and cement. The result is that the once-flexible wall is now rigidly bound at its face only, introducing considerable stress on a thin layer of stone or brick. If the mortar is stronger than the stone or brick, the face of the stone or brick will eventually break up under normal environmental pressures. The arguments in favour of using lime are compelling. However, the skills required for the use of lime, particularly where the repair of old masonry is concerned, are not the same as those required on most modern building sites. Builders need to take the time to learn new skills and techniques, and to familiarise themselves with a different range of materials and tools. RAKES, CHISELS AND QUIRKS The skill requirement for raking out should not be underestimated; it is all too easy to remove the edges of stone and bricks. Traditional lime mortars are relatively soft and should be raked out by hand with a sharp instrument. A simple spiked instrument should suffice, although where the mortar is sound it may be necessary to use a sharp chisel or flat bladed quirk. However, if a lime mortar is sound, the question that must be asked is whether it is necessary to remove it. Whatever instrument is chosen, it is most important that it cannot jam in the joint, damaging the arrises. Only its handle may be wider than the narrowest part of the joint. Portland cement rich mortar can be almost impossible to remove without damaging stone or brick, and the benefits of removing it must be carefully considered against the risks before undertaking this challenge. Power tools may speed up the removal but they can also quickly damage the original masonry, and their use should be avoided. However, where cement is hard and stubborn, and is causing visible damage to the masonry, there may be no alternative. The power tools available include pneumatic chisels and rotary mortar rakers. These tools, used without due care and attention, can result in neat, regular joints of a very different character from the original, by failing to respect irregularities in the joints of the original stone or brickwork. Pneumatic chisels are arguably the safest form of mechanical aid, since they operate in much the same manner as hand tools, but with all these aids, in the wrong hands problems can arise.
MORTAR MIXERS
POINTING TROWELS, KEYS AND IRONS After the masonry has been correctly prepared for re-pointing and the matured mortar has been thoroughly knocked-up to the consistency of glazing putty, it must be pressed firmly into the joint void until it is filled out to the face and feels solid. Mortar spreading out into a thin layer across the facework must be avoided, as its failure will provide an avenue for future water penetration. The jointing tool required to deliver and press in the mortar must be one that fits the relevant joint sizes. Small trowels may be adequate for large joints in rubble stone walls and some types of brickwork, but for fine masonry purpose made jointers or pointing irons should be used. When the mortar is first introduced it is extremely pliable, but it rapidly becomes much firmer as moisture is drawn out of it by the masonry. It must then be gone over to compact and consolidate it and bring it to the required profile and finish. On certain repair and conservation work this is achieved with a tamping action along the joints using a stiff churn brush, producing an exposed aggregate finish to match existing weathered work. Where a fine finish is required, and particularly with tuck pointing, special jointing tools must be used to achieve the desired precision. This is a highly skilled process. MORTAR PUMPS Most
of the tools encountered in conservation will seem familiar to a builder
trained on a modern building site. Sensitive conservation clearly depends
on both knowledge and the application of considerable skill in traditional
techniques. However, perhaps the most important requirement is a cautious
and sympathetic approach. It is this more than anything else that separates
the conservator or craftsman from the ordinary contractor. Recommended Reading
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This article is reproduced from The Building Conservation Directory, 2004 AuthorJONATHAN TAYLOR is the editor of The Building Conservation Directory and a co-founder of Cathedral Communications Limited. He studied architectural conservation at Heriot-Watt University, Edinburgh and has a background in architectural design, conservation and urban regeneration. This article was prepared with the help of Dr GERARD LYNCH, master bricklayer and historic brickwork consultant. Further informationRELATED ARTICLES RELATED PRODUCTS AND SERVICES Lime, hair & fibre reinforcement Lime, non-hydraulic (lime putty)
© Cathedral Communications Limited 2010
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