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T W E N T Y S E C O N D E D I T I O N

T H E B U I L D I N G C O N S E R VAT I O N D I R E C T O R Y 2 0 1 5

2 7

1

PROFESS IONAL SERV I CES

STIFFNESS INTIMBER

FLOORS AND CEILINGS

JEFF STOTT

T

HE REDUCTION

in the performance

of suspended timber floors in historic

buildings, whether perceived or real,

continues to absorb many hours of structural

analysis. Sometimes the drivers are the

obvious ones, like failed principal beams that

disturb plaster finishes, sometimes they are

less obvious, like the tinkling of a chandelier;

either way, the problem exists.

The safe approach is to follow the repair

principles of the Society for the Protection

of Ancient Buildings, especially in terms

of minimum intervention. However, for

this to be successful, it is first necessary

to understand all the relevant facts and

influences, including human perception.

Problems with suspended timber floors

usually relate to one of two structural design

considerations – strength and stiffness

(serviceability). The solutions for reduction

in strength due to various external influences

are normally clear but can be difficult to

execute (see Robin Russell’s ‘Structural

Timber Repairs’ in

The Building Conservation

Directory 2013

). On the other hand, the

solutions for correcting ‘lively’ floors, which

are the focus of this article, are generally

more complex and client expectations are

often difficult to satisfy.

CAUSES AND EFFECTS

All suspended timber floors deflect to some

degree with changes in dead load and the

more complicated live loading. In modern

designs, the movement is barely noticeable to

a person walking across the floor. However, in

some cases, especially older floors, there may

be a discernible bounce. In the worst cases

the vibration can cause cracks in fine historic

plasterwork on the ceiling below, threatening

its survival. Inadequate stiffness can also make

a timber structure susceptible to vibration

from less direct sources such as traffic, live

music performances and machinery, so plaster

ceilings with no floor above may also be liable

to similar issues.

Before any intervention can be

contemplated, it is essential to fully

understand the nature of the structure, its

condition and the cause of the problem.

Defects may be inherent – undersized primary

beams or joists for example – or the result of

changes which have occurred over time, such

as holes and notches cut for services, or due to

the effects of decay. Changes in loading may

also have occurred, caused for example by a

change in the use of the floor above that may

in turn require the addition of new equipment.

Partitions added on to a floor could alter

load paths, transferring new loads onto the

structure, while the removal of partitions

below may have increased the spans.

It is also important to understand

the likely consequences of the condition,

including not only the physical effects on

historic fabric such as plasterwork, but also

the perceived effects and expectations of the

client. According to Annex B of ISO 2631-pt2

2003, which gives guidance on human

response to building vibrations:

Human response to vibration in

buildings is very complex. In many

circumstances the degree of annoyance

and complaint cannot be explained

directly by the magnitude of monitored

vibration alone. ...The basic human

response to vibrations in buildings is

adverse comment.

This suggests that human sensitivity to

vibrations in structures is subjective and

therefore difficult to satisfy. It appears that,

Primary and secondary floor structure exposed in the ceiling of the Long Room at Chenies Manor, Buckinghamshire (Photo: Peter Mukherjee, iStock.com)