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BCD SPECIAL REPORT ON

HISTORIC CHURCHES

24

TH ANNUAL EDITION

27

BATTLING THE

ELEMENTS

Church roof repairs in the west of Scotland

Rebecca Cadie

W

ITH THE help of grants

from the Listed Places of

Worship Roof Repair Fund,

the Heritage Lottery Fund and the VAT

recovery scheme, the last few years have

been extremely busy with roof repairs

to a good number of churches in rural

and coastal locations for us in the west

of Scotland. Weather conditions for the

Inverclyde and Ayrshire coasts of the

River Clyde, Argyll and the Western Isles

have a reputation for being a challenge,

with high rainfall combined with

prevailing south-westerly winds often

resulting in prolonged periods of driving

rain. It has been well reported that

there has been as much as a 50 per cent

increase in annual precipitation in the

last 50 years and an increased frequency

of gales and storms as a result of climate

change. Many of the churches are now

150 to 200 years old and are reaching a

stage of decay where roofing materials

can no longer cope with the persistent

wet climate. For these churches, regular

maintenance and patching up repairs

are no longer enough; comprehensive

conservation work and re-roofing is often

the only option.

Much of ARPL Architects’ work is

involved with Scottish Episcopal churches,

which often have simple Victorian Gothic

style steeply pitched slate roofs on timber

sarking boards and trussed or tied rafter

roofs that are exposed to the interior.

Other typical features include raised

gables with skews (gable parapets) and

a bell-cote or tower intersecting with

the main roof. Many of these churches

are located on the seafront or a raised

hillside and have been experiencing

some extreme winter storms, which are

becoming noticeably more frequent.

These storms lift and disturb slates, pull

up lead flashings, and in a few situations

have broken and blown off stone finials.

Storm damage to the roof of Trinity Church in Irvine, North Ayrshire due to poor slate fixings and the use of

lightweight zinc ridges (All photos: Rebecca Cadie)